The ever-pegged queen of British folk is affably personable at this reasonably intimate show
- Source: The List
- Date: 16 April 2013
- Written by: Jo Bell
Given the hype around Beth Orton’s sixth and latest release Sugaring Season you might expect the ever-pegged queen of British folk to be flush with confidence. Instead she’s sheepish, funny and affably personable; drinking herbal tea, pulling her jeans up and making quips like, ‘I might add a new verse … about the light of your iPod’, during a cumulative serenade of ‘It’s Not the Spotlight’.
Orton’s unmistakable vocal reigns, it soars and traverses emotions; sorrowful and mature then high, light and jubilant. Her band, talented musicians and friends, come and go as required adding some exquisite instrumental touches.
Minus a flicker off-stage, the show lasted a sizeable hour and an half, and included ‘Call Me the Breeze’, ‘Dawn Chorus’ and the William Blake-inspired ‘The Poison Tree’ amongst her refreshing new material. For longtime fans, ‘Galaxy of Emptiness’, a searing version of ‘Paris Train’ and the bittersweet ‘Shopping Trolley’ were still relevant additions. Moments to note included a fitting homage to collaborator the late Bert Jansch, the Anne Briggs-inspired ‘Shadow of a doubt’, and the gorgeous solo piano track ‘Last Leaves of Autumn’.
Taking the fruits of folk traditions, Orton’s songs – old and new – glimmer with heartfelt beauty and lyrical poignancy, in a world of cluttered and confused genres they can only flourish.